![]() ![]() Experimenta la impresionante interpretación de 'Danny Boy' por uno de los más grandes pianistas de nuestra época y eleva tu experiencia musical a nuevos niveles con esta pieza excepcional. Capturando la emoción y la belleza de la interpretación de Jarrett sin fallas, esta transcripción es imprescindible para cualquier amante de la música clásica o de jazz. "La transcripción para piano de 'Danny Boy' (Londonderry Air) interpretada por Keith Jarrett en Tokio en 2002 es una notable demostración de excelencia musical. Danny Boy is a ballad based on the old Irish melody Londonderry Air. The transcription is from his ‘Tokyo Solo’ concert from 2002. Experience the breathtaking rendition of 'Danny Boy' by one of the greatest pianists of our time and elevate your musical journey to new heights with this exceptional piece." Buy the transcription of Danny Boy as played by Keith Jarrett for solo piano. Capturing the emotion and beauty of Jarrett's performance flawlessly, this transcription is a must-have for every classical or jazz music enthusiast. "The piano transcription of 'Danny Boy' (Londonderry Air) by Keith Jarrett in Tokyo 2002 is a remarkable demonstration of musical excellence. And if Keith Jarrett thought that was bad enough, he had to contend with malfunctioning sustain pedals.Keith Jarrett - Danny Boy (Londonderry Air)- full pianoTranscription They managed to tune it, though couldn’t do much to improve its tone and timbre, which was defined by jangly high notes and a less than resonant bass register. Thankfully, Vera Brandes refused to give in and managed to cajole and pacify the pianist while technicians spent several hours trying to make the piano playable and sound halfway decent – at least to an untrained ear. Given that situation, it was no wonder that the pianist was ready to call it a day. To cap it all, his condition was exacerbated by the exhausting five-hour, 350-mile drive he made to Cologne from a concert he’d given in Zurich. He had been suffering from excruciating back pain for several days, a result of which was a run of sleepless nights. Making matters worse, Jarrett was not in good shape. When he was given the news that there was no time to get a replacement piano, Jarrett threatened to cancel the show. To make matters worse, it was a piano used for opera rehearsals and was in abject condition and badly out of tune.įor a renowned perfectionist such as Jarrett, who was fastidious about his pianos and possessed perfect pitch, the instrument was an abomination. Unfortunately, the opera house staff wheeled out the wrong piano – a much smaller Bösendorfer baby grand. QUOTE: "A young German student and part-time promoter called Vera Brandes – an avid jazz fan who was just 17 at the time – was responsible for organizing the concert and, at Jarrett’s request, had arranged for a Bösendorfer 290 Imperial concert grand piano to be provided for the show. ![]() I was in college.Ī while back, I found a backstory to that concert and made me understand what a tour-de-force it was. This concert is a historical milestone, my first exposure to his genius. This excerpt from Sun Bear (10 LPs improvised live in Japan within a 15 days) are also quite amazing:īach, Mozart, Beethoven and Liszt were also said to be great improvisers – but as far as I know, there are no piano players in our generation which comes close to Jarrett. His various versions of Over The Rainbow is definitely worth checking out. Keith Jarrett - Danny Boy (Londonderry Air)- full pianoTranscription'The piano transcription of Danny Boy (Londonderry Air) by Keith Jarrett in Tokyo 2002 is a remarkable demonstration of musical excellence. The 'My Song' album (1978) with songs like My Song and Country is also a good document of what they were doing in that period. Wayne Shorter, Herbie Hancock and John McLaughlin) but Jarrett always was the one I was most interested in.įor those who only came across this historical Jarrett interview and don't know much about him, here's the Belonging album (1974) – one of his IMO most interesting albums: There are other musicians from Jarrett's generation that have been or are active at a high age (like eg. Personally I prefer to listen to his Scandinavian quartet over his Standards stuff. I heard him live a few times, but the best I've heard from his hands – and his band – was some Walkman-recording that someone in the audience had been making on one of the US tours with Jan Garbarek, Palle Danielsson and Jon Christensen. Click to expand.Yes – Jarrett's best concerts really representing something else something which no other piano players have done. ![]()
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